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Plomada. Twelve roofing video ads a month for Dallas–Fort Worth contractors, built from your own jobs and ready in 24 hours.

Every May, the sky does the same thing.

It leaves marks you cannot see from the ground.

Then he sits under a tarp and starts calling.

Somebody gets that call.*

The roof gets fixed either way.

The only question is whose ad he saw.

Twelve ads a month, built from your own jobs. Ready in 24 hours.

Get one built free

Dallas–Fort Worth roofers

Twelve ads a month. Ready in 24 hours.

The roof gets fixed either way. The only question is whose ad he saw.

Get one built free

Why volume

One ad in twenty works. Nobody knows which one.

5%

Share of ad creatives that turn into winners. About one in twenty. The other nineteen taught you something and cost you money doing it.

Motion, Creative Benchmarks 2026 · 578,750 creatives, $1.29B in Meta spend

28 days

Half of all ad creatives are retired before day 28. Whatever is working for you now has a shelf life, and it is shorter than the season.

Motion, Creative Benchmarks 2026

May

The heaviest hail month in Texas. Storms run March through June, and that is when every roofer in the metro turns the budget on at once.

NOAA Storm Prediction Center, SVRGIS 1955–2024

Try it

Twenty ads. Hold the button and watch.

One left. That is the whole business: you cannot pick it in advance, so you run enough of them that the market picks it for you.

If you start looking in March you are doing that in the middle of the season, against every other roofer in the metro. If you start in October you walk into May with proven ads already running.

Most roofers run the same video for two years because making a new one is a production. Here it is a Tuesday.

The work

Judge it yourself.

Demonstration samples. Those three companies are fictitious, created for this portfolio. None of them is a client.

See all six

How it works

Three photos in. Five ads out.

01

Send what you have

Photos of a recent job from your phone. A tear-off, a finished roof, your truck. If you want to be on camera, a thirty second clip of you talking.

02

I write and build

Each ad gets a three second hook, a shot list, on-screen text and one call to action. Your city, your phone number, your work.

03

You run them

Files land in 24 hours, cut vertical for feed. Run them, kill the losers, keep the winner. Next month you get twelve more.

The five formats

Every batch spreads the risk.

A batch is never five versions of the same idea. Five different bets, so one bad guess does not cost you the month.

Before and after

The damaged roof and the finished roof. Your material, cut tight. The format that sells itself because the proof is the picture.

The problem

The leak, the stain on the ceiling, the storm. Speaks to the homeowner who has not called anyone yet and is still deciding it is real.

Brand spokesperson

You on camera if you will do it. If not, a scripted spokesperson who speaks for the company. Never someone posing as a customer who hired you.

Humor

The controlled risk in the batch. Sometimes it is the one that travels. Sometimes it dies quietly. That is why it is one of five and not five of five.

Premium

For the roofer who wants to look like the established company in town. Slower cuts, quieter voice, bigger ticket.

Pricing

Three ways in. No quotes.

Starter

$500 once
  • Five ads
  • Delivered in 24 hours
  • Vertical, ready for feed
  • Yours once paid

The test, not the plan. Buy it to find out whether the work is any good.

Refresh

$900 per month
  • Twelve ads every month
  • Five formats per batch
  • Both languages when you need them
  • Cancel whenever

The actual product. Twelve a month is the rate that keeps two winners running at once.

Managed

$2,000 per month, or 15% of spend
  • Everything in Refresh
  • Campaign management
  • Monthly read on what won

For established companies only, and only once there is a track record between us worth managing.

Straight answers

The usual questions.

I already pay a marketing company.

Most of them make you one video a quarter, because filming is a production. Keep them. This is the creative volume they cannot produce at that pace. Plenty of roofers run both.

I am not getting in front of a camera.

Then you never appear. Four of the five formats have no owner on screen at all. One of the sample companies in the gallery was built that way on purpose.

My photos are terrible.

Three phone photos of a recent job is enough to start. The Fort Worth company in the gallery is the version of this with almost nothing to work from.

Can you do Spanish?

Yes, and written in Spanish rather than run through a translator. Your buyer does not always speak the language you sell in, so ads go out in whichever one the job needs.

Do I own the files?

Yes, once the invoice is paid. Photos and footage you send stay yours, and get used only for your campaigns.

What are you not going to do?

Put words in a fake customer's mouth, or claim a result nobody can check. No invented reviews, no made up numbers, no promise about your lead count. If a figure goes on screen, you supplied it and it is true.

Start here

Send three photos. Get one ad free.

Tell me where to reach you and I will send you where to text the photos. One finished ad for your company, built the same way as the six in the gallery, so you can judge the work instead of taking my word for it.

No card and no call needed to get it.

I answer the same day.

Got it. I will text you today with where to send the photos.